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It Happened One Night: Roland Emmerich Accidentally Tosses A Brick At The Legacy Of Stonewall
27.09.2015 , boy culture

UnnamedI didn't honor a boycott. There is a difference between getting something wrong and deliberately getting something wrong.

At one point during Roland Emmerich's embarrassingly misguided take on the Stonewall Riots, invented character Danny (plush blond Brit Jeremy Irvine, whose accent emerges even more often than homophobic violence in the film) exclaims that he's so angry he just wants to break something

So did I, not long after one the movie's earliest, most excruciating scenes, in which aw-shucks Indianan Danny, who we soon learn has been cast out of his idyllic Midwest home for being a damn dirty queer, is slobbered over by a drag queen who won't take no fucking way for an answer. The reason for my disgust was not that the character (overplayed to the hilt to Richard Jutras) was a cliché, so much as it was that the scene was constructed to make the audience cringe. Danny's excuse for being uncomfortable is that he's had zero exposure to any homosexuals other than the strapping fellow closet-case back home (played by a Marlon Brando-channeling Karl Glusman) with whom he is in love, but what is the filmmakers' excuse?

Why does a film so earnestly about LGBT rights that it ends with a mini history lesson on the subject spend so much time seeming to grimace at the LGBT characters who aren't pretty enough?

Screen Shot 2015-09-27 at 1.04.18 AMStonewall has been a lightning rod for political criticism ever since the release of its trailer, in which it became clear that Emmerich and screenwriter Jon Robin Baitz were presenting the instigator of the riots as beinga made-up white boy. (By the way, the scene is even more explicitly a white-savior moment, with Danny not only throwing the first brick, but having to shout about gay power to the crowd to get them to go along with him.)

But while other critics have written persuasively of just how ballsy the film's white-savior gambit is, and just how tone-deaf, I think even if one is unwilling to accept any line of argument on the topic of racial or gender inequality in film—you know who you are—it is almost unimaginable that any critical viewer would not find the message of Stonewall confusing at best, retrograde at worst.

In fact, the film's chief failure is not as a piece of history or as a politically empowering fable, but as an interesting, well-acted, credible entertainment.

Emmerich has outrageously admitted he went with a white, straight-acting gay male character as the focus in order to broaden the film's appeal, as if he were directing yet another movie with action-figure potential. Still, what about Baitz's laughably broad, schmaltzfest of a script spoke to him? Why is their concession to mass appeal such a hackneyed stock character with a storyline we've seen before and can predict in its entirety from the moment we meet him?

Most of the film centers on Danny as a fish-out-of-water, a high school jock forced to fend for himself in Greenwich Village after his coach dad kicks him out of the house. He quickly falls in with a group of rag-tag street kids and gender-fluid hustlers who have plenty of bark and bite, and who haze him a bit before accepting him as one of their own. Led by resilient Ray (an impressive Jonny Beauchamp) and razor-sharp Cong (Vladimir Alexis, who owns the film's only believably, organically and inspirationally flamboyant performance), the group shows Danny the ropes, but can't save him from being brutally beaten up by homophobic cops.

Danny is gorgeous, so he also dabbles in sex work, which is presented as something that is necessarily devastating. Wouldn't it have been more interesting to have seen, as was common at the time, a young man selling temporary access to his body without guilt, without having to turn his head and cry while being (GASP) blown, maybe even with some satisfaction, some sense of shrugging off society's constraints?

But sex-positivity does not play in Emmerich's hopelessly square Stonewall, in which one trick plays out after Danny is forced into a car and sold to a rich guy in the most aggressively grotesque drag forces himself on the kid.

I couldn't get over how moralizing this film was about sexuality and sexual expression. The married men furtively paying for after-work BJs were LGBT people, too, trying to get by as best they could. Certainly, they were not all the monsters Emmerich and Baitz have cooked up.

This bizarre treatment of gay sex was also reflected in one of the film's most annoying tics—everywhere Danny goes in Manhattan, the extras have all been instructed to turn and leer at him in his wake. Like vintage homo-bashing movies of a bygone era, Stonewall simultaneously groans at how horrible some things are (nearly being raped by bloodthirsty cops, for example) and licks its lips as it seems to fetishize the acts it is ostensibly condemning.

Is this movie about 1969, or was it made in 1969?

Expecting the unexpected from a movie in which femme Ray has to be told point-blank by Danny the he could never fall for him was probably a folly on my part.

Tumblr_nuymamoEZ71ughh58o1_500A lesbian sorta causes the riot, but her bond with the film's central characters is superficial.

Tumblr_nuw6yoGWcN1ugjokpo2_500Danny takes the lead at every turn of the riot, from beginning to end.

As for the film's grasp of history, the few real-life figures get drastically different treatment. The heroic Marsha P. Johnson—played stiffly, amateurishly by Otoja Abit—is barely seen until some go-girl moments at the end, while Deputy Seymour Pine (Matt Craven, whose professionalism distinguishes him here), who led the raid that precipitated the first outbreak of violence, is presented as a great guy who was just trying to clean up police corruption and arrest the bar's beastly mobster owner (Ron Perlman). Oddly, though we are shown an unnecessarily violent raid by cops early in the film, the narrative goes on to present the actual rioting as misplaced, nearly homicidal anger. There is no sense of desperation, and there is no sense of liberation. It just ... happens.

Another aspect of history that the film mucks up is its eye-rolling dismissal of Frank Kameny and The Mattachine Society, especially as represented by oily Trevor (Jonathan Rhys Meyers), whose disapproval of violence the film frames as being timidity and an inability to stand up and be counted. Yet Kameny (played perfunctorily by Arthur Holden) is later lionized in the film's closing credits. Which is it? Were the pre-Stonewall, suit-and-tie activists useful or useless? Emmerich dithers on this, and winds up with a long, turgid movie about not much of anything beyond a cute boy's triumph, via night school, over his parents' rejection.

Emmerich is a very successful director. He has mostly helmed crappy escapist fare, each film worse than the last (Universal Soldier, Godzilla, The Patriot, The Day After Tomorrow, the Independence Day series), but I'm not exactly curing cancer with my time on earth so he is the type of artist about whom I generally say, “More power to him.” Yet his Stonewall provides a dropped-jaw example of how harmlessness can become harmful, and reserves of power can be exploited inexpertly.

Do I think Emmerich and Baitz are racist or classist or transphobic? Nope. (Though Emmerich has said some wow-inducing shit, like how he thinks this is the year of black transgender women. They get a whole year.) I think they're probably wonderful people.

Stonewall-policeThe scene outside a recent press screening of Stonewall.

But it's truly shocking to me that well-intentioned individuals inarguably on our side can, with enough of our goodwill and enough of their clout, bring to fruition a film meant to uplift that instead disenfranchises, a film meant to entertain that instead entertains its creators specific turn-ons and turn-offs, a film meant to chronicle an important moment in LGBT history that instead accidentally reduces that moment to an excuse to see Jeremy Irvine in his underpants.

I hope that this film's inevitable failure will not inhibit Hollywood from trying again soon. Stonewall would make an excellent miniseries. It would also make an excellent movie, as long as it's not one directed by this person, or from this script.

Alexander Gustavo\'s Nightmare
26.09.2015 , Bound Gods Picture Gallery Update
Christian Wilde just finished a long graveyard shift, and now he needs to unwind. Lucky for Christian, he has a plaything awaiting him in his dingy apartment-- Alexander Gustavo, locked in a chest. Christian wrests the abducted stud out from the chest and binds him to a cabinet. Alexander tries to resist the torment as Christian torments his vulnerable body. Christian painfully twists his prey's nipples and crushes his balls with work boots before bringing out a taser, zapping Alexander's pecs and balls. After a deep face fucking, Christian tears Alexander's nerves to shreds as he traces a cattle prod around his balls before delivering a cruel shock of electricity. Next, Christian ties Alexander over his bed posts where he takes brutal whipping and flogging. Christian then ravages Alexander with a fucksaw, pulling the trigger to full power. Now with Alexander's hole prepared for Christian's massive cock, Alexander takes a mean fucking over a web of ropes.
\"Take the pain & suck that cock!\"
26.09.2015 , Bound Gods Picture Gallery Update
Alex Greene is a painslut who only desires to serve the house, so Christian Wilde and Wolf Hudson arrive to test him. Unimpressed at first with the slave, Mr. Hudson makes the boy lick his boots clean while taking a flogging from Mr. Wilde. Mr. Hudson drags Alex back up to see if the slave's cocksucking skills are worth anything. Meanwhile, Mr. Wilde pulls out two buckets and has the slave hold them straight out as more and more weights are dropped into them. As his arms strain to hold the heavy load, the doms adorn Alex's balls with clover clamps and shove his head from cock to cock. For the next stage of the test, the slave gags on cock while Mr. Wilde canes his meaty ass. The doms trade positions, Mr. Hudson fucking Alex relentlessly as Alex sucks off Mr. Wilde. They move Alex into more strenuous bondage, suspending his hips from the ceiling as his wrists and ankles are tied down to the floor. The torment continues while Alex is relentlessly zapped with electricity, all while taking cock from both ends. Mr. Hudson decides to glaze Alex's face with cum first, with Mr. Wilde following closely with a huge load of his own. Alex is brought back down to the floor to show his master's his eager load before they leave him strung up in the air.
Georgia – SexBox
26.09.2015 , 101 Hot Guys

X stands for X-Art and is known for their amazing photography, beautiful models and classy style. As they officially call it, “beautiful erotica.” Considering X-Art is a brand new site, they bring you the finest quality HD videos with 3 updates per week and well over 100 models already inside. From girls posing nude to hardcore foursomes, X-Art has a little bit of everything. With the free X-Art porn galleries listed here, you get a great feel for their awesome content and models. Unsure about buying much porn per se, but I have had my own password to X-Art for quite some time. Considering they only charge twenty-bucks a month, it’s very well worth its moderate fee considering the quality.

Georgia’s body is absolutely flawless and she loves to show it off. From those perky tits to her amazingly hot little pussy, and even her feet – Georgia is the total package. In this free X-Art gallery, you’ll find Georgia showing off every bare inch of her petite body as she inserts her dildo deep into her shaved pussy. If you enjoy petite blondes that love to show off their nude bodies, you’re going to fall in love with Francesca from X-Art. This girl is super cute and has the perkiest titties and cutest little nipples ever! I’m quite surprised to see Francesca holding a big, black, double-sided dildo in her hand as I don’t think she could fit much of that inside of her little pussy! I wonder if Francesca likes big, black cocks or it’s just the dildo she chose for this set. :)

petite adult model

It’s not very often you find a redhead as beautiful as Scarlett from X-Art. Scarlett has beautiful, curly red head, perky little tits and this little patch of pubic hair above her tight pussy. How could I forget her freckle covered face and those bright, blue eyes? Mmmm!!! How would you like a night with this smoking hot redhead? X-Art continues to get better and better with their amazing pick of models just like this beautiful eighteen year old, Eve! With her rock hard, perky little tits and her slim little body, Eve could get any guy she wanted. Come watch as X-Art’s Eve strips nude at the beach in Croatia! X-Art hit the nail on the head with the name of this set with the lovely and petite model Nella. As you will soon see, Nella has an absolutely amazing tight body, perfectly sculpted breasts and one seductive look with her striking hazel eyes! With X-Art, there is no lack of creativity nor beautiful models. Here we have the lovely Nella in a scene called Orange Crush. Nella is completely nude standing next to a dining room table with four oranges placed on top and showing off every bare inch of her skinny body! Nella even lights up a cigarette for a few puffs for you smoker fans.

Return to homepage: Sensual Writer

Tiny is right! Look at the skinny body of Alexis as she shows just how flexible she can be. I love watching girls who are flexible or can dance – they always have amazing bodies. Most of them also appear to be innocent but you know behind that facade is one crazy, horny young girl who is ready to fuck you instead of you fucking her. <div style=

The new Bubbly underwear by ADDICTED now at VOCLA
26.09.2015 , Men and underwearGreat news for all the fans of the Spanish brand ADDICTED in the UK. Mens underwear and swimwear retailer VOCLA has just stocked some of the new Autumn/Winter 2015 ADDICTED Bubbly Underwear collection. The new collection features some new fabrics with most of the styles being made with polyamide to give a figure-hugging fit, mixed with some spandex for great stretch. There are also some styles which feature sheer mesh panels to add a little sex appeal.
The Bubbly underwear collection is bright and colourful with some cheeky styles thrown in too – take a look at the South Brief with its cheeky back window.
The ADDICTED Bubbly campaign photo-shoot you see below was taken by International photographer Dylan Rosser and features muscled Russian models David Lurs, Aleksandr Dorokhov and Alexander Krupnov. The photo-shoot took place in Barcelona and is playful and fun. 

ADDICTED underwear - Bubbly

ADDICTED underwear - Bubbly

ADDICTED underwear - Bubbly

ADDICTED underwear - Bubbly

ADDICTED underwear - Bubbly

ADDICTED underwear - Bubbly

Four Letter Word: DAMN!
26.09.2015 , Gay Daily Hot

A-pjp-alex-addison-GOM-MENPairing the It Guy Alex Mecum (above) with a beefier-looking Addison Graham (below left) strikes me, at first blush, as kinda brilliant.
B-pjp-alex-addison-GOM-MENBoth have dark hair, both are muscular, and both are light skinned. Then, Alex’s fur coating versus Addison’s super-smooth skin offers a terrific visual contrast.C-pjp-alex-addison-GOM-MENAbout the only thing that didn’t work in the photographs here was the lighting; it shone too brightly on these fair skinned guys. For your enjoyment, though, I bumped up the contrast in most of them. The result is a perfect match.

Below, get your first look at Saturday’s scene Four Letter Word from, aptly enough, Gods of Men.